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Gombrich, Ernst H. Roles can alter; the model performs her poses and in this liminality takes on the role of the artist-performer as she presents her poses. Punctum is a detail that pricks the attention and develops uncoded.

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I discussed theories of embodied minds, flesh, the autopoietic feedback loop, liminality and performativity. The figured artwork constrains an excess of determinations through the gesture. It introduces a particular set of characteristic features that capture the artist. More so, by trying to direct them too much or if they pose uncomfortably, it becomes stiff and artificial — like acting, he states. Tracing the Pose……………………………………………..

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By tapping into their prototypical flesh, a different concept of body appears. A high degree of professionalism means a deep understanding of the situation, their bodies, how to exhibit such presence and ultimately achieve an intense autopoietic feedback loop. The pose founds the interaction between the model and artist, where she reaches her performative potential in the context of art-creation.

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Portraits and Persons New York: A Study in the Psychology of Pictorial Representation, 3rd ed. He explains that one cannot make a person sit exactly as you think you want: Our day-to-day interactions are doused in constant degrees of performing. They are not merely physiological processes but actually constitute a reality of structures and patterns of mental representations.

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It can control the recipient through the index. For the uncommissioned portrait the artist has the freedom to explore what he wishes, as the sitter is not the intended owner of the artwork and therefore has less say over precisely how the final result relates to her features. Her theory of performativity supports her concept of performance itself. The mechanic nature and speed of the camera dictate a much quicker captioning and potential detailing of the presented poses.